← DEAD SIGNAL
18
Chapters
1

The Briar Case

2

The Voice on the Line

3

The Third Drawer

4

Diane Reiss

5

Derek Chu

6

The Third Voicemail

7

Sadie Park

8

Creston

9

Room 14

10

What Whitmore Knew

11

The Arrest

12

The Fourth Voicemail

READING
13

Anna Morrow

14

The Signal

15

The Last Call

16

Epilogue

Chapter 12 — The Fourth Voicemail

Page 1 of 1 • ~4 min read

The fourth voicemail arrived on a Wednesday night, nine days after Marcus Hale's death.Nora was at home — actually home, in a way she hadn't been in nine days, having eaten a real meal and changed out of the clothes she'd been cycling through since Thursday. She was sitting on her couch with a glass of wine and the television on but muted, in the specific posture of someone who has been in motion for so long that stillness feels wrong.The phone buzzed. Unknown Number.She answered.

"This is the fourth contact point. If you're hearing this, either the case isn't resolved yet, or I built one more thing I wanted to say. Honestly — and I wasn't sure which it would be when I set up the conditional — I think it's the second one."She turned off the television.

"I want to tell you something about the Briar case that isn't in the folder. Something that's relevant to you specifically. When Morrow's wife came to me eight months ago — Anna Morrow, you'll meet her at some point, she's remarkable — one of the first things she said was: 'The detective who closed the case, Voss, she seemed thorough. She seemed like someone who actually cared. How did this happen?'"

"I told her the truth. I told her that good detectives can still work bad cases if the foundation is wrong and they're overextended and they trust the wrong people. I told her that being good at your job is not the same as being immune to being manipulated."

"She asked if you'd help if you knew. I said yes. I said I'd bet my pension on it. I hadn't called you yet because I wanted more before I brought you in — I was wrong about that, I waited too long. But I was right about the other thing."

"You were running six cases when the Briar investigation happened. Six cases, Nora. You were managing more than anyone should manage and Whitmore knew that, which is why he ran the contamination through your case rather than someone with more bandwidth. He used your thoroughness against you — gave you a clean-looking procedure to run and kept you from asking why the procedure needed to exist."

"I know you'll carry this. You carry everything. I've watched you carry things for twelve years. I'm asking you — as clearly as a pre-recorded voice can ask anything — to carry it in the right proportions. What you did wrong: you were overextended and you didn't verify the foundation of the array. That's real. What you did right: you closed a case that looked solid, with evidence that was designed to look solid, by a man with thirty years of experience in making things look solid. When you found out it was wrong, you went directly after the truth, alone, without institutional support, and you didn't stop."

"I'd tell you all this in person but circumstances have made that unavailable. So I'm telling you on a voicemail, which you will probably replay several times and argue with even though I can't hear you."She was, in fact, already formulating the arguments.

"There's one more thing. In the drawer with the folder — the supplemental envelope — there's a smaller envelope at the very back that I didn't include in the main documentation. It's personal. It's for you. If you haven't found it yet, go find it."The recording ended.She sat for a moment.Then she got up, went to her desk, and picked up the folder she'd been working from for nine days. She opened the supplemental envelope. At the very back: a small white envelope, sealed, with just her first name on the front.She opened it.Inside was a single sheet of paper. Not a document — handwritten, in Marcus's precise script:

Nora,

I have no idea what the afterlife looks like, if there is one. But if you're reading this, I probably didn't get to tell you the following while I was alive, and I want you to have it in writing either way.

You are the best detective I have ever worked with. Not the most technically gifted — you would dispute that anyway. The best, which is a different thing. Because you care about what the job is actually for. Because when something is wrong you cannot make yourself leave it alone. Because you're difficult and exacting and occasionally exhausting and these qualities are not separate from the first thing, they are the first thing.

I am very glad our paths crossed in that Pelham warehouse twelve years ago, even if you did miss the shoe.

— Marcus

(It was a very distinctive shoe. I'm still not sure how you missed it.)She sat at her desk for a while.She did not cry, because she was a person who cried privately and rarely. But she sat very still and let the weight of it settle, which was its own kind of acknowledgement.Then she put the letter in the same pocket where she'd been keeping important things, against her chest.She went back to the couch. She turned the television back on.She let the evening be quiet.

← Previous
Page 1 / 1
Next Chapter →
💬 Comments

📚 Continue Reading

THE LAST PING
HOT

THE LAST PING

Luna Everett

1 hours 27+ Readers
HOLLOW CHILDREN
HOT

HOLLOW CHILDREN

Daniella Storm

58 min 37+ Readers
DON'T OPEN THE ATTIC
HOT

DON'T OPEN THE ATTIC

Daniella Storm

51 min 37+ Readers
THE BRIDE WHO STAYED
HOT

THE BRIDE WHO STAYED

Scarlett Rivers

1 hours 75+ Readers

🎧 Listen to this page

Pg 1 • THE BRIDE WHO STAYED